Saturday, 29 January 2011

1910 - Badon Adolphe De Meyer

1911 - Edward Steichen

1914 - First Colour Photography

1920 - Early Cecil Beaton

1925 - George Hoyningen - Huene

1930 - Beginning of Photography in Advertisements

1930 - Later Cecil Beaton

1940 - Norman Parkinson

1940 - Dorian Leigh

1940 - Sam Shaw

1950 - Lillian Bassman

1951 - Richard Avedon

1961 - Helmut Newton

1965 - Charlotte March

1970 - Annie Leibovitz

1970 - Albert Watson

1975 - Patrick Demarchelier

1980 - Michael Eastman

1986 - Juergen Teller

1990 - Mario Testino

1990 - Geselle Bundchen

1994 - Mert & Marcus

1995 - Heidi Klum

1996 - Eros Messina

1998 - Mario Sorrenti

1999 - Paolo Pellizzari

2000 - Nick Knight

2000 - Mark Seliger

2001 - David Drebin

2003 - Floriane De Lassee

2005 - Jason Lam

2006 - Ana Black

Tuesday, 11 January 2011

Richard Avedon













































Richard Avedon said of his photography: "A photographic portrait is a picture of someone who knows he's being photographed and what he does with this knowledge is as much a part of the photograph as what he's wearing or how he looks."

• Born in New York on 15 May 1923, Richard Avedon was in possession of a Kodak Box Brownie camera by the age of 12

• Having studied philosophy at Columbia University in the late Thirties, Avedon went on to study photography under Alexey Brodovitch at the Design Laboratory of the New School of Social Research

• Richard Avedon shot the Paris collections for almost 40 years, and was staff photographer for Vogue from 1966 until 1990

• Richard Avedon became the first ever staff photographer for The New Yorker in 1992, at the age of 69

From the start of his career, Richard Avedon's name became synonymous with fashion as well as portraiture. He photographed everyone from Charlie Chaplin and Buster Keaton to Marilyn Monroe, Dorothy Parker and the Duchess of Windsor as well as a lot of "unknown" people. Known for bringing the fashion models of the day, including Suzy Parker and Sunny Harnett, to life, Richard Avedon injected a previously unseen vibrancy into the medium of fashion photography.

Richard Avedon married twice and has a son. Perhaps the most poignant set of photographs Avedon ever produced were those of his dying father. He died in 2004 of a brain haemorrhage.

Sourced:

http://www.vogue.co.uk/biographies/080422-richard-avedon-biography.aspx

Julia Margaret Cameron




The Echo - 1868





J. F. W. Herschel - 1867




The Rosebud Garden - 1868






Pamona - 1872






My Neice Julia - 1867





Julia Jackson - 1867






Mrs Herbert Jackson - 1867





Cameron, Julia Margaret
British, 1815-1879



Julia Margaret Cameron (June 11, 1815 – January 26, 1879) was a British photographer. She became known for her portraits of celebrities of the time, and for Arthurian and similar legendary themed pictures. Cameron's photographic career was short (about 12 years) and came late in her life. Her work had a huge impact on the development of modern photography, especially her closely cropped portraits which are still mimicked today. Her house, Dimbola Lodge, on the Isle of Wight can still be visited.



Early life



Julia Margaret Cameron was born Julia Margaret Pattle in Calcutta, India, to James Pattle, a British official of the East India Company, and Adeline de l'Etang, a daughter of French aristocrats. Cameron was from a family of celebrated beauties, and was considered an ugly duckling among her sisters. For example, each sister had an attribute which she used as a nickname. Her sisters had nicknames like "beauty". Julia's nickname was "talent". This instilled in Julia an obsession with idealized beauty.



Photography



In 1863, when Cameron was 48 years old, her daughter gave her a camera as a present, thereby starting her career as a photographer. Within a year, Cameron became a member of the Photographic Societies of London and Scotland. In her photography, Cameron strove to capture beauty. She wrote, "I longed to arrest all the beauty that came before me and at length the longing has been satisfied."



Her neighbour on the Isle of Wight, Alfred Lord Tennyson often brought friends to see the photographer.



Cameron was always keen to take pictures, and though her photography is not unconventional it shows a certain spontaneity which was not common in the work of other photographers of the time. Her enthusiasm for her craft meant that her children and others sometimes tired of her endless photographing, but it also means that we are left with some of the best of records of her children and of the many notable figures of the time who visited her.



During her career, Cameron registered each of her photographs with the copyright office and kept detailed records. Her shrewd business sense is one reason that so many of her works survive today. Another reason that many of Cameron's portraits are significant is because they are often the only existing photograph of historical figures. Many paintings and drawings exist, but, at the time, photography was still a new, challenging medium in which she was a pioneer.



The bulk of Cameron's photographs fit into two categories: celebrity portraits and illustrations for literary works.



Portraits



Cameron's sister ran the artistic scene at Little Holland House, which gave her many famous subjects for her portraits. Some of her famous subjects include: Charles Darwin, Alfred Lord Tennyson, Robert Browning, John Everett Millais, Dante Gabriel Rossetti, Edward Burne-Jones, Ellen Terry and George Frederic Watts. Most of these distinctive portraits are cropped closely around the subject's face and are in soft focus. Cameron was often friends with these Victorian

celebrities, and tried to capture their personalities in her photos.

Sourced:

http://www.masters-of-photography.com/C/cameron/cameron_articles1.html

From the early works of Julia Margaret Cameron, through to Edward Steichen, George Hoyningen Huene, Horst P Horst, Cecil Beaton, Norman Parkinson, Jean Loup Sieff, David Bailey, Richard Avedon



Corrinne Day and Kate Moss and John Galliano with Zanna. Or, between Horst P Horst and Coco Chanel.

Produce a portfolio of photography (six folio images) that are influenced by two inspirational factors. Firstly, a major Fashion Photographer from any point in it’s history. Secondly, identify and use a political or world event as a force of influence on your work. Collaborate with one or more creative individual and make sure you can show evidence of this for assessment.